Showing posts with label tiny reactors. Show all posts
Showing posts with label tiny reactors. Show all posts

Monday, March 14, 2011

Reactor Failure

The events of the past few days here in Japan, with the meltdown or partial meltdown of at least two of the nuclear reactors up in Fukushima, has made me not a little self-conscious of the title of this blog.

When I first started Tiny Reactors last year right around this time, I decided to give it its name not only as a forum for myself to quickly react to books, news and events happening around me (and for you all to reply); but living in the green-conscious city of Portland, Oregon I was also thinking about alternative energy use — and tiny thorium reactors were in the news at the time as a relatively low cost alternative to fossil fuels. I had a vague idea that I would write about science and/or green issues; I had a large stack of books waiting to be read. And more books were coming in daily.

Almost immediately, however, the blog went off in its own direction — I started learning Photoshop and some of the neat tricks that I could do with that — and my more wide-ranging interests wouldn't allow me to narrow the field.

And then I moved to Japan. To the island of Shikoku on the Seto Inland Sea. Far off the beaten path. Without my books.

For the first several months the blog was frozen. I hurled myself into work and getting reacquainted with the Japanese language. Tiny reactors was sadly relegated to the scrap heap.

Recently — I'm not sure if it's the imminent arrival of spring or just the urge to share some of the things I've been witnessing — I've returned.

I'll still be reacting tinily (and sometimes at length) but if you can please forget that this blog has anything to do with nuclear reactors I'd be happy. Not that they don't have a future; it's just that until we learn how to take care of them and their waste a lot better, I'd rather see humans think seriously about other less toxic ways to stay humming and alive.

Anyway, with the weather brightening and the snow up in the mountains melting, I'll be heading out to some beaten down, forlorn, and rusting places no tourists in their right mind would ever think to go.

Over and out.

For now.

Monday, March 15, 2010

Dr. Strangeluv, or How I Learned to Stop Worrying and Start a Blog



Watching Chris Marker's film The Last Bolshevik, his chronicle of the Soviet filmmaker Aleksandr Medvedkin's life and work — the spotted horses, the cows in boots, the apartment complexes floating by on rails — got me thinking about other artists during the Soviet era who weren't so well connected, no doubt more daring and subversive, more ready to give the middle finger to regimes brought about by the philosophizing of a little philistine in tweed. These artists met a much less fortuitous end.

I'm thinking of Mikhail Bulgakov, best known for The Master and Margarita, a book unpublished in his lifetime, who, in his play Flight, has a White Major General descending into a penniless gambler of cockroach races, throwing money after Don't Cry Child, a brilliantly fast and slippery cockroach of the underworld. Or Anna Ahkmatova and her harshly critical Voronezh, whose "poplars raise their chalices / for a sky-shattering toast" while "in the room of the banished poet / Fear and the Muse stand watch by turn." Those artists were effectively banished from Stalin's republic, internal exiles left to rot in fear and irrelevancy. But not many people knew about it at the time.

When did we begin to suspect a farce was being perpetrated on us over here, not only by them over there, but by the shapers and purveyors of history and the news? When did we begin to realize that the iron curtain was also an iron mirror? How many people saw through McCarthy's bluster? I guess we always need to be on guard against too much seriousness in politicians, but you would think a raving lunatic would be laughed off the bully pulpit. A Zen master would have slapped him upside the head. (Are you listening Glenn Beck?)

Did we think differently about the Soviets and the threat of nuclear war after Dr. Strangelove? I wasn't around then, but I suspect we did. Just as Marx morphs in unexpected ways into Lenin and Mao, Strangelove morphs into Strangeluv, and the mighty command economy disintegrates into bread lines and Chernobyl. History taunts us. Tells us to beware. Had those in control always been so incompetent? Or had it only come on by slow degrees?

In May of 2001, I visited Hiroshima with a friend. First we went to the Gembaku dome — restored A-bomb leftovers of an Industrial Promotion Hall and now a World Heritage site — then to the Hiroshima Peace Memorial Museum. The Peace museum contains relics of the aftermath of the bomb: a watch that stopped at exactly at 8:15, a boy's bento box with the charred remains of his lunch, photographs of burnt bodies, and other not very nice things. I remember saying at the time that all world leaders should be required to visit the museum as part of training for their term. I don't think W.,  Kim Jong-Il, or Mahmoud Ahmadinejad has made it there yet. 

Now, with Akhmatova's Fear and the Muse standing watch, we are set to start building tiny nuclear reactors to be buried in distant outposts around the globe. New mini Chernobyls waiting to happen in backyards all over the planet? Or sources for independence from oil and centralized control? Landmines for future superbeasts? Or power for our computing clouds?

Like I said, it's time for me to stop worrying, listen to Blonde Redhead, and get down to writing blog.